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Arundhati Roy

602quotes

Full Name and Common Aliases

Full Name: Suzanna Arundhati Roy
Common Aliases: Arundhati Roy

Birth and Death Dates

Birth Date: November 24, 1961
Death Date: N/A

Nationality and Profession(s)

Nationality: Indian
Profession(s): Author, Activist, Screenwriter

Early Life and Background

Arundhati Roy was born on November 24, 1961, in Shillong, Meghalaya, India. Her father, Rajib Roy, was a Bengali Hindu tea plantation manager, and her mother, Mary Roy, was a Malayali Syrian Christian women's rights activist. Growing up in a culturally diverse environment, Roy was exposed to a variety of perspectives from an early age. Her parents separated when she was young, and she moved with her mother and brother to Kerala, where her mother founded an independent school. This upbringing in a progressive and intellectually stimulating environment played a significant role in shaping Roy's worldview.

Roy attended the School of Planning and Architecture in Delhi, where she met her first husband, Gerard Da Cunha, an architect. Although their marriage was short-lived, it was during this period that Roy began to explore her creative talents, eventually leading her to the world of literature and film.

Major Accomplishments

Arundhati Roy's most significant accomplishment came with the publication of her debut novel, "The God of Small Things," in 1997. The novel, which took her four years to write, is a semi-autobiographical work set in Kerala and explores themes of family, social discrimination, and forbidden love. It received widespread critical acclaim and won the prestigious Booker Prize in 1997, making Roy the first Indian woman to receive the award. The novel's success catapulted her to international fame and established her as a prominent voice in contemporary literature.

In addition to her literary achievements, Roy is also known for her activism. She has been a vocal critic of globalization, nuclear policies, and the Indian government's handling of various social and environmental issues. Her essays and speeches on these topics have been widely published and have contributed to her reputation as a fearless and outspoken advocate for justice.

Notable Works or Actions

Apart from "The God of Small Things," Roy has authored several notable works, including "The Ministry of Utmost Happiness" (2017), a novel that further cements her reputation as a master storyteller. Her non-fiction works, such as "The Algebra of Infinite Justice" (2002), "Field Notes on Democracy" (2009), and "Capitalism: A Ghost Story" (2014), showcase her incisive critique of political and social issues.

Roy's activism is not limited to her writing. She has participated in numerous protests and has been arrested for her involvement in campaigns against the Narmada Dam project and other environmental causes. Her commitment to social justice and her willingness to speak truth to power have made her a respected figure in both literary and activist circles.

Impact and Legacy

Arundhati Roy's impact extends beyond her literary contributions. Her work has inspired a generation of writers and activists to engage with pressing social issues and to use their voices to effect change. Her novels and essays have been translated into numerous languages, reaching a global audience and sparking important conversations about inequality, human rights, and the environment.

Roy's legacy is also evident in the way she has challenged the status quo, both in her writing and her activism. She has consistently used her platform to highlight the struggles of marginalized communities and to advocate for a more equitable and just world. Her courage and conviction have earned her both admiration and criticism, but she remains undeterred in her pursuit of truth and justice.

Why They Are Widely Quoted or Remembered

Arundhati Roy is widely quoted and remembered for her eloquent and thought-provoking insights into the human condition and the socio-political landscape. Her ability to weave complex narratives with rich, evocative language has made her a beloved figure in literature. Her quotes often reflect her deep empathy and her unwavering commitment to justice, resonating with readers and activists alike.

Roy's fearless critique of power structures and her advocacy for the disenfranchised have made her a symbol of resistance and hope. Her words continue to inspire those who seek to challenge injustice and to imagine a better world. As a writer and activist, Arundhati Roy's legacy endures, reminding us of the power of storytelling to illuminate truth and inspire change.

Quotes by Arundhati Roy

Arundhati Roy's insights on:

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It is becoming more than clear that violating human rights is an inherent and necessary part of the process of implementing a coercive and unjust political and economic structure in the world.
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Even among the well-intentioned, the expansive, maleficent concept of justice is gradually being substituted with the reduced, far more fragile discourse of "human rights."
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There's really no such thing as the 'voiceless'. There are only the deliberately silenced, or the preferably unheard.”
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In Delhi the cars are getting bigger and sleeker, the hotels are getting posher, the gates are getting higher, and the guards are no longer the old chowkidars, the watchmen, but they are fellows with guns. And yet the poor are packed into every crevice like lice in the city. People don't see that anymore. It's as if you shine a light very brightly in one place, the darkness deepens around.
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Flags are bits of colored cloth that governments use first to shrink-wrap people’s minds & then as ceremonial shrouds to bury the dead.
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Nationalism of one kind or another was the cause of most of the genocide of the twentieth century. Flags are bits of colored cloth that governments use first to shrink-wrap people's brains and then as ceremonial shrouds to bury the dead.
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Indian intellectuals today feel radical when they condemn fundamentalism, but not many people are talking about the links between privatization, globalization, and fundamentalism.
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To me, there is nothing higher than fiction. Nothing. It is fundamentally who I am. I am a teller of stories. For me, that's the only way I can make sense of the world, with all the dance that it involves.
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I would never, ever use a novel to do thinly disguised political information dissemination. For me, all these experiences, they sat in me, and they got broken down into my body, and I sweated it out. It's not because I want to talk about 'issues.' For me, a novel is a way of seeing the world.
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Today, we seem to be striving towards injustice, applauding it as though it's a worthy dream, made sacred by the caste system.
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